As evidenced by an earlier blog article, we aren’t exactly enthralled with the performance qualities exhibited by our collective professorial gentry. It’s now sad to report that we’ve recently discovered yet another specific failing in the educational process.
Having become informally affiliated with the retail guitar trade, we’ve made several new acquaintances who play as amateurs or professionals, some of whom hold music major degrees. What has struck us in the solar plexus more than once lately is the general lack of familiarity displayed regarding mid-20th century jazz greats and their contribution to modern note-producing history.
Without exception, these esteemed diploma-wavers are able to converse somewhat intelligently about Beethoven, Schubert, Mozart, Verdi, Debussy, and those other classical cats, having had such names crammed down their throats during classroom days. However, we find ourselves constantly appalled when, upon mentioning Goodman, Ellington, Basie, Dorsey, Miller, and even Brubeck, a blank stare results, followed by a Benny Who, Duke Who, or similar response.
Harking back to our own music class school days, we recall being thoroughly familiarized with outpourings of the “old master” fraternity by the dozen. Contrarily, of course, no teacher seated at the piano or up front alongside the record-player dared admit that “swing bands” were then reigning supreme, with their latest hits being mentally hummed by students galore. Such subject was a strict discussionary no-no.
We long ago wrote off that crew of eunuchal fuddy-duddies as not having been in tune with the times. What else could be expected in such a backward-looking era? Jumping to the present, though, we can’t help but detect a still apparent disdain for the musicianship which steadily evolved from its birth around the 1890s, through the 20s, 30s, 40s, 50s, and onward, having become an established way of life. About the only statement we can utter to those unenlightened ex-students of music is that overworked cliché, “Your education has been sadly neglected”, with all sincerity.
At least we’ve not yet reached the ultimate stage when singers may be the conversational topic, and some youthful wizard pipes up with “Frank Who?”
Monday, July 19, 2010
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